Robert Jobson “Four Ducks in Flight,” O.O.C., approx. 50cms x 75cms (19 1/2″ x 29 1/2″) signed lower left, framed. (1)
Robert Jobson “Geese in Flight,” O.O.C., approx. 50cms x 92cms (20″ x 36″), signed lower left, framed. (1)
David Kelly, b. 1959 “A Cheetah Resting,” with its companion “A Gazelle at the Ready,” a pair, O.O.C., each approx. 30cms x 40cms (16″ x 12″), in decorative matching gilt frames. (2)
J.F. Herring A pair of attractive Equestrian Paintings, depicting “Horses Ploughing and Stable Yard,” O.O.C., each bearing signature, each approx. 19cms x 28cms (7 1/2″ x 11 1/2″) in heavy gilt frames. (2)
A set of three uniformly framed 19th Century Silks, each containing four colourful painted silk panels of Oriental Life. (3)
A 19th Century red boulle ebonised and brass inlaid single door Cabinet, the shaped marble top over inlaid frieze and dome shaped decorated door on a plinth base with decorative ormolu mounts, approx. 90cms x 113cms (35 1/2″ x 44 1/2″). (1)
A Regency period rosewood Chiffonier, the top with a single shelf on turned supports over two frieze drawers, the base with two arched and brass grilled panel doors flanked by Doric columns on turned feet, with rosette ormolu mounts, approx. 109cms x 92cms (43″ x 36″). (1)
An attractive art Deco marble Clock Garniture, surmounted with a bronze brown bear, painted dial, and two marble Candle Holders. (3)
An early 19th Century English giltwood Console Table, with serpentine moulded marble top over an egg and dart frieze, the centre with a seated cherub supported by scroll foliage design, the C scroll supports decorated with flowers and modelled with cherubs, the similarly designed stretcher with a decorative central bouquet of flowers, approx. 168cms (66″) wide, 94cms (37″) high. (1)
A pair of large late Victorian pitch pine carved Armchairs, in the style of Jas. Shoolbred, the panelled backs with shaped and carved tops, the scrolled arms with leaf decoration, on front rounded legs, with inscribed brass plaque “Presented by Mrs. B. Wilson Senior in loving memory of Joseph Appelby Wilson, June 1882”. (2)
O’Driscoll, 19th Century Cork School Silhouettes: “The Rakes of Mallow,” and its companion, a similar subject concerning “The Cork Butter Market,” each highlighted in gilt, and approx. 28cms x 22cms (11″ x 8 1/2″), in hogarth frames. (2)
Frith, 1841, English School Silhouettes: A very fine Study, “A Gentleman in a landscape, holding his top hat,” with gilt heightening, approx. 28cms x 19cms (11″ x 7 1/2″), signed and dated, in an oak frame; another similar of “A Soldier holding his sword,” signed and dated, black frame; also two others similar “Gentlemen,” in black frames. An attractive set. (4)
18th Century Russian School Icon: “John the Baptist and Scenes from his Life,” approx. 36cms x 29cms (14″ x 11/5″) finely painted central panel surrounded with four miniatures against a gilt background, with script. (1)
Late 18th / early 19th Century Russian Icon “Saint Demetrius of Thessaloniki” Icon depicting the saint holding a cross, sword and shield, painted on recessed board highlighted with silver and gilt decoration, worn, approx. 56cms x 45cms (22″ x 18″).
Aleksei Safjanov, Russian School, 1992 Watercolours: “Charles Bridge,” & “Prague in the Snow,” two similar watercolours, each approx. 29cms x 21cms (11 1/2″ x 8 1/4″), signed, framed. (2)
After Bouret (French 19th Century) A 19th Century Egyptian Revival bronze gilt and marble statute of Cleopatra, the darkened bronze highlighted in gilt, head and shoulders, signed Bouret, on an orange and black veined stepped and shaped marble base of Egyptian form, approx. 42cms (16 1/2″). (1)
A 19th Century French Napoleon III Seminier or Tall Chest, the shaped marble inset top with moulded ormolu rim, over seven long drawers, crossbanded with kingwood, thuya and other woods, decorated with ormolu mounts and escutcheons on a shaped platform base with ebonised and ormolu mounted turned feet, approx. 137cms h x 76cms w (54″ x 30″). (1)
Late 18th Century Irish School “Portrait of a Gentleman with high collar and wig, in a green waistcoat and jacket,” O.O.C., later gilt frame, 76cms x 61cms (30″ x 25″) approx. (1)
Herkis Hume-Nisbet (1849 – 1923) Two paintings, “A Ship Wreck near a Coast,” and “Melrose Abbey? in a winter moonlight,” O.O.C. signed, in gilt frames, 51cms x 71cms (20″ x 28″). (2)
20th Century Irish School “Poppies,” O.O.C., attractive portrait picture in gilt frame. (1)